{"id":6414,"date":"2023-09-15T16:14:17","date_gmt":"2023-09-15T07:14:17","guid":{"rendered":"https:\/\/www.art-society.com\/parchive\/?p=6414"},"modified":"2024-08-18T16:55:42","modified_gmt":"2024-08-18T07:55:42","slug":"2023translation","status":"publish","type":"post","link":"https:\/\/www.art-society.com\/parchive\/project\/resources\/2023translation.html","title":{"rendered":"\u300c\u30a2\u30fc\u30c8\u30fb\u30a2\u30fc\u30ab\u30a4\u30d6\u306e\u4fbf\u5229\u5e16\u300d\u306e\u7c21\u4f53\u5b57\u7248\u304c\u3067\u304d\u307e\u3057\u305f"},"content":{"rendered":"

\"\"
\n\u3053\u306e\u305f\u3073\u3001KCL Publishing House\u304b\u3089\u51fa\u7248\u3055\u308c\u305f\u300c\u827a\u672f\u6863\u6848\uff08\u5e93\uff09\u7684\u53ef\u80fd\u4e0e\u4e0d\u53ef\u80fd\u3000\u4e9a\u6d32\u7684\u7406\u8bba\u548c\u7ecf\u9a8c(The (Im)Possibility of Art Archives: The Theory and Experience in\/from Asia)\u300d\u306b\u30012016\u5e74\u306b\u767a\u884c\u3057\u305f\u300c\u30a2\u30fc\u30c8\u30fb\u30a2\u30fc\u30ab\u30a4\u30d6\u306e\u4fbf\u5229\u5e16\u300d\u306e\u7c21\u4f53\u5b57\u7248\u304c\u53ce\u9332\u3055\u308c\u307e\u3057\u305f\u3002<\/p>\n

\"\"<\/p>\n

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\"\"

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\"\"

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\u7c21\u4f53\u5b57\u306e\u305f\u3081\u8aad\u3080\u306e\u304c\u96e3\u3057\u3044\u3067\u3059\u304c\u3001\u65e5\u672c\u3092\u542b\u3080\u30a2\u30b8\u30a2\u5404\u5730\u306e\u53d6\u308a\u7d44\u307f\u304c\u307e\u3068\u307e\u3063\u305f\u8aad\u307f\u5fdc\u3048\u306e\u3042\u308b\u5185\u5bb9\u3068\u306a\u3063\u3066\u3044\u307e\u3059\u3002\u3054\u8208\u5473\u3042\u308b\u65b9\u306f\u3001\u305c\u3072\u624b\u306b\u3068\u3063\u3066\u3054\u89a7\u304f\u3060\u3055\u3044\u3002\u65e5\u672c\u3067\u306f\u3001\u65b0\u5bbf\u306b\u3042\u308b\u66f8\u5e97\u300cIrregular Rhythm Asylum\uff08\u30a4\u30ec\u30ae\u30e5\u30e9\u30fc\u30fb\u30ea\u30ba\u30e0\u30fb\u30a2\u30b5\u30a4\u30e9\u30e0\uff09<\/a>\u300d\u306b\u3066\u304a\u6c42\u3081\u3044\u305f\u3060\u3051\u307e\u3059\u3002<\/p>\n","protected":false},"excerpt":{"rendered":"

\u3053\u306e\u305f\u3073\u3001KCL Publishing House\u304b\u3089\u51fa\u7248\u3055\u308c\u305f\u300c\u827a\u672f\u6863\u6848\uff08\u5e93\uff09\u7684\u53ef\u80fd\u4e0e\u4e0d\u53ef\u80fd\u3000\u4e9a\u6d32\u7684\u7406\u8bba\u548c\u7ecf\u9a8c(The (Im)Possibility of Art Archives: The Theory and E\u2026<\/p>\n","protected":false},"author":5,"featured_media":6425,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[25],"tags":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/posts\/6414"}],"collection":[{"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/comments?post=6414"}],"version-history":[{"count":7,"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/posts\/6414\/revisions"}],"predecessor-version":[{"id":6528,"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/posts\/6414\/revisions\/6528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/media\/6425"}],"wp:attachment":[{"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/media?parent=6414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/categories?post=6414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.art-society.com\/parchive\/wp-json\/wp\/v2\/tags?post=6414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}